“I was transfixed. I felt an almost sadistic pleasure in watching her muscles begin to weaken and shake, violently. Internally, I screamed over and over for her to continue: ‘don’t give up!’ I longed for her to win the battle against herself. Inevitably, she slumped to the floor having lost. Standing up, she walked to the centre of the space, stood within the milk once more and removed a needle. Blood tickled down the leg and swirled itself into the white liquid at her feet; a moment of visual pleasure, abject horror and corporeal transgression.
For me, Traumata’s performance was about the feminine struggle against a history of patriarchal tradition and virtue. I saw the performer as an ideological feminine figure, both maternal and virtuous. Draping herself in white linen and surrounding herself with milk, she was both Mother and Virgin. What I enjoyed the most about this performance was the complete deconstruction of these socially fashioned feminine roles. She displayed an ‘other’ femininity, both carnal and strong.” – Natalie Raven, Total Theatre
Version 1 performed at Thomas John Bacon’s Tempting Failure in Bristol, 2013.
Version 2 performed at Martin O’Brien’s Discharge: No Pain No Gain, London 2014.